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New PDF release: A Pocket Guide to Analyzing Films

By Robert Spadoni

ISBN-10: 0520280709

ISBN-13: 9780520280700

The ideal concise consultant to the formal research of movie. Designed for use through readers at many degrees of data, this e-book strikes systematically throughout the parts that make up such a lot motion pictures, concentrating on elements of the paintings of cinema which are universal throughout historical past and nationwide cinemas.

From shape and narrative to mise-en-scène and cinematography to modifying and sound, Robert Spadoni introduces and explains the foundations and conventions of movie in attractive, ordinary language. as well as illustrating movie recommendations with virtually two hundred images—most of them in color—the e-book explains how you can locate styles and that means in motion pictures via such recommendations as motifs, improvement, and motivation.

Thumbnail readings of exemplary motion pictures extra lay out the necessities of formal research. movie illustrations contain body enlargements from Stagecoach, Psycho, Jeepers Creepers, Persepolis, Groundhog Day, Take safeguard, and extra. Modestly priced and jam-packed with photographs, A Pocket consultant to studying movies is perfect for college students in quite a lot of movie classes who're searching for an easy-to-read consultant to movie research to accompany and increase their direction fabrics.

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Additional info for A Pocket Guide to Analyzing Films

Sample text

Even as he grows and improves as a person, there remains something selfish about his actions: he’s the only person who will ever remember them, the only one for whom they will hold any lasting value. For all his good deeds, nothing matters. Does the ending, when the spell is broken, undermine this pessimistic view of the film? This question, like so many of film interpretation, remains open to discussion and debate. 46 F O R M NAR R ATIVE Now we move deeper into the specifics of film form. I have introduced the idea of thinking about films as systems.

The goal is to make us cheer the scene and feel happy. What values does the film seem to be presuming we’ll share with it? Possibly these: Women like a strong man, right? The kind who takes charge, and orders for both himself and the lady at restaurants. And girls, that Harrison Ford is handsome, isn’t he? See how he cocks his hat back and grins like a lovable scoundrel? Who wouldn’t go to Delhi with him in a heartbeat! And guys, wouldn’t you like to have the unshaven good looks and general wherewithal to get the girl just like that, every time, no questions asked?

Function • Similarity and Repetition • Difference and Variation • Development • Unity/Disunity Remember these principles, but as you watch, feel free to jot down anything that comes to mind. Don’t edit or second-guess yourself while you’re watching a film or thinking it over afterward. You’ll winnow your argument down as you move toward your final draft, but early on, feel that anything goes and that more is better. You never know what might spark an epiphany or turn your thinking in an exciting direction later on.

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A Pocket Guide to Analyzing Films by Robert Spadoni

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