By Belkin A.
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Extra resources for A practical guide to musical composition
My colleague Sylvain Caron read the manuscript and commented in great detail, always with tact and perception. My colleagues Massimo Rossi and Marcelle Guertin each contributed valuable feedback. Julien Valiquette provided assistance in finding and analyzing appropriate musical examples. Guillaume Jodoin kindly tested the web version. © Alan Belkin, 2008 61 Bibliography Sophisticated, practical books about musical composition are exceedingly rare. Most books about musical form are written from the point of view of analysis.
Repertoire example) Dukas, l'Apprenti Sorcier: two bars before rehearsal #2: Flutes, th strings, and harp prepare the climax - a return of the main theme - with a rising 16 note scale. • widening register. st (repertoire example) Bartok, Concerto for Orchestra, 1 movement, before #76: this example, already referred to, rises to its climax, while covering an ever widening register. • increasing harmonic tension. rd (repertoire example) Bruckner, Symphony #9, 3 movement, m. 173 ff: In this stupendous buildup, rising chromatic sequences and increasingly rich harmony lead to the rich dissonances of m.
This usually implies several previous climaxes. Once the highest point of intensity is reached, it is difficult to go on for any great length of time without lessening interest. Imposing a progression on the peaks of several successive climaxes draws the listener's attention to large scale relationships, encouraging a bird's eye view of the form. This makes overall comprehension easier and helps situate the listener. ) © Alan Belkin, 2008 48 Ending How can the composer conclude the piece convincingly?
A practical guide to musical composition by Belkin A.