By Mark Williams, Daniel T. Elliott, Rebecca Saunders, Alan Marsh, Buddy Calvin Jones, D. Keith Stephenson, Daniel T. Penton, Betty A. Smith, Douglas Sun, Frankie Snow, Jennifer Freer-Harris, Judith A. Bense, Karl T. Steinen, Keith Ashley, Louis Daniel Tesar
This significant precis of the present nation of archaeological examine at the speedy Creek tradition is the 1st entire assortment ever released in regards to the speedy Creek people.The speedy Creek humans, based in Georgia and surrounding states from A.D. a hundred to seven-hundred, are most sensible recognized from their pottery, which was once adorned ahead of firing with attractive paddle-stamped designs--some of the main complicated and engaging within the world.Comprehensive in scope, this quantity information the invention of this tradition, summarizes what's identified approximately it today, and indicates how endured advancements within the assortment and research of archaeological information are advancing our wisdom of this extinct society.Although they comprehend not anything of speedy Creek language and little approximately its society, archaeologists have accumulated invaluable information regarding the commercial options of speedy Creek population. What archaeologists comprehend top, in spite of the fact that, is that the fast Creek humans have been the very best wooden carvers the area has obvious, and their pottery will stand as their lasting legacy forever. This publication offers and preserves their legacy.
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Extra resources for A World Engraved: Archaeology of the Swift Creek Culture
Ternary graph showing bulk composition of sand-tempered vessels from Milamo, Lind Landing, and Chatterton Railroad 148 9-13. Ternary graph showing bulk composition of fourteen vessels from Milamo, six vessels from Lind Landing, and one vessel from 9JD22 150 10-1. Location of Mallard Creek and Kings Bay sites 157 10-2. Swift Creek designs at the Kings Bay site: DG1 159 10-3. Swift Creek designs at the Kings Bay site: DG2 159 10-4. Swift Creek designs at the Kings Bay site: DG3 160 10-5. Swift Creek designs at the Kings Bay site: DG4 161 10-6.
Designs from the Hartford site: spiraled eye, sun and four wind birds, and eye designs and motifs 73 6-5. Cosmological designs 76 6-6. Swift Creek paddle designs: long-nose mask, horned owl, sun and wind, thickened-circle bull's-eye, slit-eyed snarling cat 81 6-7. Swift Creek paddle designs: Mill Creek sun, cross-eyed S, Billy Phillips sun, ladder/bull's-eye, fertility symbol, Little River design, and rectilinear design 86 6-8. Swift Creek paddle designs: four-ness, mask with cyclops, and barred oval 88 6-9.
We thank Ocmulgee National Monument, superintendent John Bundy, and Sylvia Flowers for the use of their Discovery Room and help with the meeting. We thank Rita Elliott for taping the proceedings, the Macon Coliseum for the loan of tables, and the Department of Anthropology, University of Georgia, for the loan of film equipment. The first two chapters of this volume provide a historical background for modern Swift Creek studies. Following these chapters, we have chosen a simple geographical model to sequence Chapters 3 through 14 from north to south within the Swift Creek region.
A World Engraved: Archaeology of the Swift Creek Culture by Mark Williams, Daniel T. Elliott, Rebecca Saunders, Alan Marsh, Buddy Calvin Jones, D. Keith Stephenson, Daniel T. Penton, Betty A. Smith, Douglas Sun, Frankie Snow, Jennifer Freer-Harris, Judith A. Bense, Karl T. Steinen, Keith Ashley, Louis Daniel Tesar