By Julia Reinhard Lupton, Kenneth Reinhard
Exploring the discussion among psychoanalytic and literary discourses, the authors learn the types of plot, personality, and methods of studying which every of those discourses has built in analyzing Shakespeare.
Since Freud's writings on Oedipus and Hamlet, Shakespearean tragedy has been paradigmatic for psychoanalytic concept and feedback. during this formidable and hugely imaginitive e-book, the authors hint the discussion among psychoanalytic and literary discourses through interpreting the types of plot, personality, and methods of interpreting which every culture has built via its interpretation of Shakespeare.
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Extra resources for After Oedipus: Shakespeare in Psychoanalysis
488—91) These lines epitomize the generic and sexual paradoxes of Achilles, split in literary history between a superhuman virile militarism on one hand and, on the other, an effeminate with drawal from his fate. This ambiguity punctuates the legends of Achilles' life and death, from his childhood in women's cloth ing to his curtained tent outside Troy with Patroclus, to his sullen dismissal of Odysseus' greeting in the underworld. As such, Achilles represents a structural deviation within both epic and tragic traditions of the hero, since he forestalls epic military heroism in his life and refuses tragic fatalism in his death.
Yet Ernst more often played fort by itself, precisely the feature that led Freud to derive the death drive from the repetition compulsion. How do these two games, fortda and fort, represent different, perhaps incommensurate, modes of mourning? Derrida faces in his conflicted work of mourning Memoires for Paul de Man two inadequate alternatives: "And as concerns the other in u s . . where is the most unjust betrayal? Is the most distressing, or even the most deadly in fidelity that of a possible mourning which would interiorize within us the image, idol, or ideal of the other who is dead and lives 32 Hamlet in Psychoanalysis only in us?
Thus Nachtraglichkeit and Trauerarbeit, both models of psychic de velopment as a process of retrospective interpretation, are linked in Freud's 24 Hamlet in Psychoanalysis the mother in her Kasten to the dead fathers of Oedipus and Hamlet in Freud's letter to Fliess: the object of loss has slipped from maternal to paternal in the theoretical and autobiograph ical "working through" of the Oedipus complex. Our analysis stems from Lacan's rereading of Klein's famous case of "Little Dick" in Seminar I and from Shoshana Felman's glossing of Lacan.
After Oedipus: Shakespeare in Psychoanalysis by Julia Reinhard Lupton, Kenneth Reinhard